Boyle is an award-winning writer and director of musical short films for his work on It Is What It Is, Lifeless: Being Sorta Dead Kinda Sucks, Gingerbread House and Naked. He was the creator and curriculum architect for three cutting-edge, fully accredited training programs in higher education that develop and produced original movie musicals for students in collaboration with seasoned Hollywood and Broadway creatives.
Adding to popular Playlist Productions performances already loved by guests across the fleet, Carnival Entertainment produced “Dear Future Husband,” an interactive pop musical to debut on its newest ship, the Carnival Jubilee. Guests follow a bride and groom on a wedding adventure – aboard a cruise ship – with their best friends. The cast performs pop mega hits, like “Marry You” by Bruno Mars, “Moves Like Jagger” by Maroon 5 and “Man! I Feel like a Woman!” by Shania Twain. After the show, guests join in on the fun with a wedding reception, where they dance to more pop hits and interact with the cast. The party includes a first dance, a groom and groomsman surprise, and of course, the iconic garter toss and a toast to the happy couple.
A Way Back To Then from the Broadway musical [title of show]
Written by Jeff Bowen and Hunter Bell
Piano arrangement created and performed by Keith Harrison
VP Boyle has been one of Broadway’s top coaches for over 20 years. To learn more about professional workshops and booking info, click the header tab to visit MaxTheatrix.com.
Imagine what your theatrical life would be like if you could walk into any audition room and find authentic freedom. Freedom to be human, freedom to be happy, freedom to be brilliant an d freedom to be nothing but fantastically you? This inspiring not-like-any-other-audition-book by Broadway’s top coach will crack your brain open with long lasting shifts that will keep you creating and enjoying powerful experiences “in the room.”
Boyle wrote and directed the Academy-award qualifying musical short film It Is What It Is and the award-winning musical short films Lifeless, Gingerbread House and Naked. He produced and starred in Kindling.
LiveRead@SDA is a developmental reading series produced by the USC School of Dramatic Arts and was launched to cultivate and provide critical support for the creation of innovative and contemporary new works for the American theatre.
Professional artists are invited to weeklong workshop residencies on the USC campus, where they can take bold steps towards refining their work with an incredibly diverse talent pool. The School of Dramatic Arts provides the necessary resources and staff to produce a concert-style reading in one of our campus theatre venues with professional photography and video of the performance.
LiveRead@SDA affords students an invaluable opportunity to work with industry leaders—producers, directors, playwrights, lyricists, composers and choreographers—while gaining insights and practical experience in what it means to intensively workshop new musicals headed toward commercial production.
VP Boyle is the only person to have designed cutting-edge, original curriculum for three accredited musical theatre programs: USC’s BFA in Musical Theatre, Relativity School’s (aka Hussian College LA) BFA in Musical Theatre & Film and The New York Film Academy’s Musical Theatre & Film Conservatory Program.
Boyle is a Co-Founder of Hussian College LA, formerly Relativity School, the only accredited film school of its kind originally created in partnership with a major motion picture studio. Boyle also served as Creative Director for LiveRead@SDA at USC School of Dramatic Arts, a program created to cultivate and provide critical support for the creation of innovative and contemporary new musical projects for the American theatre.
Boyle also was selected as Lead Consultant to create and design USC’s new collaborative BFA in Contemporary Musical Theatre for the USC School of Dramatic Arts, Glorya Kaufman School of Dance and Thornton School of Music that launched Fall 2019. He had the privilege to serve as Creative Director for the opening performance at the USC Village Gala—the largest university event ever produced by USC’s award-winning team at the Office of Cultural Relations and University Events.
